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<channel>
	<title>Paolo Patelli</title>
	<link>https://paolopatelli.com</link>
	<description>Paolo Patelli</description>
	<pubDate>Mon, 02 Jun 2025 20:39:16 +0000</pubDate>
	<generator>https://paolopatelli.com</generator>
	<language>en</language>
	
		
	<item>
		<title>News (upcoming)</title>
				
		<link>https://paolopatelli.com/News-upcoming</link>

		<pubDate>Sun, 29 Apr 2018 12:32:29 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/News-upcoming</guid>

		<description>Ongoing &#38;amp; upcoming:

November 2025

	Landscapes as Media Infrastructures

e-flux Architecture / Technoecologies

	Text
    
    19 December 2025—26 October 2026
Taipei

	Atmospheric, Filming Architecture

National Taiwan Museum


	Exhibition
    
    9—30 November 2025
Copenhagen
	Kunstnernes Efterårsudstilling 2025

Den Frie
	Exhibition
    
 8—16 November 2025
Beijing
	Beijing International Short Film Festival

International Competition

	Festival   



	
	
		Past:
</description>
		
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	<item>
		<title>Saaret</title>
				
		<link>https://paolopatelli.com/Saaret</link>

		<pubDate>Mon, 02 Jun 2025 20:39:16 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/Saaret</guid>

		<description>SaaretShort Documentary: 2K Color Stereo 23’
CinemAmbiente 2025

Visions du Réel – Film Market2025
	
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	Saaret navigates the city of Helsinki as an environmental archipelago composed of heat and energy islands, insulated atmospheres, and artificial climates, leaking both from the past and future. Through stories that connect different areas of the city, a hybrid narrator voice emerges as an ecological subjectivity produced by and through sensing, at once abstract and embodied into different physical forms and temporal perspectives. Each narrative moment provides a glimpse into the complex layers of time and space, offering perspectives that transcend traditional boundaries between nature, technology, and the urban environment.

The essay film alludes to the now-extinct genre of the city symphony, while the Super8 film format creates a dreamlike temporal ambivalence reminiscent of travel films and nature documentaries. The image frames appear as fragile envelopes themselves.

The work ultimately creates a sensory, cinematic reflection on the interactions between human life, urban infrastructure, and the natural world.



	
	



	
	
  
	
  
	
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	A short film directed by Paolo Patelli
Written by Jussi Parikka, Paolo Patelli, May Ee Wong
Scored by Angelo Maria Farro
Produced by Critical Environmental Data

Text Adaptation, Camera and Editing: Paolo Patelli
Sound: Angelo Maria Farro
Voices: Anu Aaltonen, Samantha Houston, Lua Vollaard
Additional Help: Lua Vollaard, Rizki Lizardi

With support from: Helsinki Biennial, Aarhus University (DAFED), Statens Kunstfond

Denmark, Finland, Italy / 2025

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	<item>
		<title>tillema</title>
				
		<link>https://paolopatelli.com/tillema</link>

		<pubDate>Mon, 14 Dec 2020 13:00:57 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/tillema</guid>

		<description>Menyunting Arsip / Editing the Archive. Resequencing the Tillema Collection
Critical Documentary and Collaborative Editing Workshops
with Paoletta HolstGUDSKUL / documenta fifteen
Research Center for Material Culture

Nieuwe Instituut2020—2025
	
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Hendrik Freerk Tillema (1870–1952) was a Dutch pharmacist, entrepreneur, self-taught ethnographer and photographer, lobbyist and advocate for hygienic standards in the colonies, who lived in the Dutch Indies for twenty years of his life up until WWI. The photographs and films that Tillema produced or collected during his time in colonial Indonesia are located in the archives of the Museum voor Volkenkunde, the Tropenmuseum and the Eye filmmuseum. Historians and anthropologists have often regarded Tillema’s work and legacy as unavoidable primary sources, often detached from the context of his life, his main business and ideology. With the six waves of cholera bacterium outbreaks in the background, in Semarang, he built the first purified and bottled water factory in the Dutch East Indies. This enterprise directly supported his expeditions, observations and publications. Tillema wrote numerous publications on hygiene and urbanism in the colony. His ideas fit the broader modern scientific and medical discourse on hygiene, which engendered spatial and racial segregation through fear for contamination, through environmental and bodily pollution.





	
	
  
	
  
	
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	&#60;img width="1440" height="1797" width_o="1440" height_o="1797" data-src="https://freight.cargo.site/t/original/i/3095ff4e7bf89d367627b325243c98bb7d28ab2ea2265af5bcac9d0f44cfd464/296162534_5326962620756258_8818596204616176755_n.jpg" data-mid="183414384" border="0"  src="https://freight.cargo.site/w/1000/i/3095ff4e7bf89d367627b325243c98bb7d28ab2ea2265af5bcac9d0f44cfd464/296162534_5326962620756258_8818596204616176755_n.jpg" /&#62; 
</description>
		
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	<item>
		<title>the forest underneath</title>
				
		<link>https://paolopatelli.com/the-forest-underneath</link>

		<pubDate>Thu, 04 Jun 2020 09:24:50 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/the-forest-underneath</guid>

		<description>The Forest Underneath
 Video Installation: 2-Ch. HD Color Silent 19’35”
Short Documentary: HD Color Stereo 11’
Van Eyck Academiearc en rêve centre d'architecture
IMPAKT Festival
MCBA Musée Cantonal des Beaux‑Arts Lausanne
Architektur FilmTage ZürichTRANSFER Architecture Video Award (Finalist)
2019
	
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	Staged as a 2-channel video installation, or screened as a single-channel documentary, The Forest Underneath combines  materials shot on location in and around the Hambach Forest into an observational film. The last remnant of an ecosystem that has occupied the Rhine plain since the end of the last ice age – and a site where corporate exploitation, environmental activism, and environmental degradation coexist –&#38;nbsp; the forest borders the largest open-pit coal mine in Europe, and ghost towns doomed to be torn down. Planned to be cleared to mine by the energy company RWE, the forest has been a political standpoint for environmentalists since 2012, when a diverse group of activists took permanent residence within it, in self-built ‘barrios’ and treehouses, behind barricades, to protect it from planned destruction. The meandering camera captures their environents, surroundings and moments of their everyday.
The Forest Underneath was originally produced as a contribution to a visual investigation of the landscape of the Meuse–Rhine Euroregion, curated by Bas Princen at the Jan van Eyck Academie.



	
	



	
	
  
	
  
	
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&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/4875e74fc20e2cb35a02137a22cb0d8d8a6633774e0d7dae62a4b8d85a1c1e64/IKKeYCGRRDOhbLVMg924UQ_thumb_6deb.jpg" data-mid="73454263" border="0"  src="https://freight.cargo.site/w/1000/i/4875e74fc20e2cb35a02137a22cb0d8d8a6633774e0d7dae62a4b8d85a1c1e64/IKKeYCGRRDOhbLVMg924UQ_thumb_6deb.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>ghost</title>
				
		<link>https://paolopatelli.com/ghost</link>

		<pubDate>Wed, 21 Apr 2021 14:24:16 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/ghost</guid>

		<description>They Thought They Saw a Ghost
Documentary: 4K Color Stereo 51’&#38;nbsp;
with Giuditta Vendrame and Giulio Squillacciotti
39th Bergamo Film Meeting
International Film Festival2020

	
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/46a97001775083667748b619b7c56429e3b099f4a8519d9c59cc48afd15df8f2/WhatsApp-Image-2021-04-12-at-21.22.26.jpeg" data-mid="105981093" border="0"  src="https://freight.cargo.site/w/1000/i/46a97001775083667748b619b7c56429e3b099f4a8519d9c59cc48afd15df8f2/WhatsApp-Image-2021-04-12-at-21.22.26.jpeg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a61f063a03a27b8c1934d5b2e92b2aa2286e86ca573db767f396c992cc3fd082/WhatsApp-Image-2021-04-12-at-21.22.39-1.jpeg" data-mid="105981122" border="0"  src="https://freight.cargo.site/w/1000/i/a61f063a03a27b8c1934d5b2e92b2aa2286e86ca573db767f396c992cc3fd082/WhatsApp-Image-2021-04-12-at-21.22.39-1.jpeg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/09f721f0c2c33d0562d7b2e4ec013e5963035a6c2c4b60a6bd7855ebadac8a69/WhatsApp-Image-2021-04-12-at-21.22.58-1.jpeg" data-mid="105981163" border="0"  src="https://freight.cargo.site/w/1000/i/09f721f0c2c33d0562d7b2e4ec013e5963035a6c2c4b60a6bd7855ebadac8a69/WhatsApp-Image-2021-04-12-at-21.22.58-1.jpeg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/105cc22aa36cbbaf4f77d52ed15804ff00cafb9d7c2f2166b11ae6459f7321b2/WhatsApp-Image-2021-04-12-at-21.22.25.jpeg" data-mid="105981085" border="0"  src="https://freight.cargo.site/w/1000/i/105cc22aa36cbbaf4f77d52ed15804ff00cafb9d7c2f2166b11ae6459f7321b2/WhatsApp-Image-2021-04-12-at-21.22.25.jpeg" /&#62;




	
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&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8465e67aee9fec5283e11cfc1b225c7fc1a8238cb16c9078b0c6d00bb0c2a772/WhatsApp-Image-2021-04-12-at-21.22.37-1.jpeg" data-mid="105981115" border="0"  src="https://freight.cargo.site/w/1000/i/8465e67aee9fec5283e11cfc1b225c7fc1a8238cb16c9078b0c6d00bb0c2a772/WhatsApp-Image-2021-04-12-at-21.22.37-1.jpeg" /&#62;



	
	&#60;img width="3248" height="4547" width_o="3248" height_o="4547" data-src="https://freight.cargo.site/t/original/i/e7cfe47716f66f6701fe21ec0841334f557541ed23e158ac51b57bbf8c3ee7c9/poster-2021-04-24-w-shadow.png" data-mid="106684352" border="0"  src="https://freight.cargo.site/w/1000/i/e7cfe47716f66f6701fe21ec0841334f557541ed23e158ac51b57bbf8c3ee7c9/poster-2021-04-24-w-shadow.png" /&#62;
	Delving into the invisibility of labor under automation, They Thought They Saw A Ghost offers an entry point to the everyday world of seafarers, the carriers of 90% of the world’s goods. The film&#38;nbsp;stages a series of abstractions: the function of the working body, the empty stage of automated environments, the touristic gaze on the spectacle of mechanization, the comfort of religious beliefs and the faith in the emancipatory horizon of technological innovation. It presents voices from multiple perspectives, catching a glimpse of the social infrastructure that provides seafarers – whose presence is still necessary – support and care. Unfolding as a visual essay, the film is a chaptered immersive observation of time transformed by automated technologies. 
The film is the cinematographic extension of Shore Leaves, a visual research originally commissioned for the Dutch Pavilion at the 16th International Architecture Exhibition La Biennale di Venezia in 2018.

</description>
		
	</item>
		
		
	<item>
		<title>shore leaves</title>
				
		<link>https://paolopatelli.com/shore-leaves</link>

		<pubDate>Sun, 29 Apr 2018 19:59:49 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/shore-leaves</guid>

		<description>Shore Leaves

Video Installation:&#38;nbsp;2-ch. Color Silent 19’35” 
with Giuditta Vendrame and Giulio Squillacciotti
La Biennale di Venezia
16th International Architecture Exhibition 
Dutch Pavilion / Work, Body, Leisure2018

	

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&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/5f7054e6bcee9fb62d7f55b364a2b9359152ecf0d625fd462aa604c1ee7b5153/SL_STILL_5.jpg" data-mid="15571550" border="0"  src="https://freight.cargo.site/w/1000/i/5f7054e6bcee9fb62d7f55b364a2b9359152ecf0d625fd462aa604c1ee7b5153/SL_STILL_5.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/41f240a1a4e1e5c51f18408b86a575460d7d3324268692c0ee50ce8c368d5fc9/SL_STILL_1.jpg" data-mid="15571546" border="0"  src="https://freight.cargo.site/w/1000/i/41f240a1a4e1e5c51f18408b86a575460d7d3324268692c0ee50ce8c368d5fc9/SL_STILL_1.jpg" /&#62;



	
	&#60;img width="3024" height="3144" width_o="3024" height_o="3144" data-src="https://freight.cargo.site/t/original/i/9b30e7d19a13f182ff1746c94815f1e8ca8115d5d7e9522f6964cfef023d6ddc/1.jpg" data-mid="18804100" border="0"  src="https://freight.cargo.site/w/1000/i/9b30e7d19a13f182ff1746c94815f1e8ca8115d5d7e9522f6964cfef023d6ddc/1.jpg" /&#62;
	If technology freed workers from harsh labour and reduced working time, what does freetime look like for the seafares harboured in the ports of Venice and Rotterdam? Shore Leaves offers an entry point to the everyday world of seafarers, portraing those moments when the pace of logistical handling slows down. Shore leave stands for time off-work, that can be spent ashore: these moments are vital for the health and wellbeing of seafarers and they represent the short hours when sailors can connect with their families and friends.
The video documentation was produced during fieldwork aboard bulk carrier and container cargo ships harbored for loading and unloading in the ports of Venice and Rotterdam, and at the seafarers organizations that in both cities provide practical assistance and support to seafarers of all nationalities. 
Focusing on the spaces and gestures of this waiting time, the project confronts a reality that is generally concealed. The machinic efficiency in the circulation of the goods on which our economies are highly dependent has a counterpart: while human presence and labor are still indispensable and of infrastructural importance, human bodies strive to adapt to remodeled times and spaces and descend further beneath a threshold of visibility.


	



	
	&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f40382d71e2812049f7fb4fbd388e3f75328136bad49ff1af02b6cbe3bc70c0a/daria_scagliola-8923.jpg" data-mid="18804142" border="0"  src="https://freight.cargo.site/w/1000/i/f40382d71e2812049f7fb4fbd388e3f75328136bad49ff1af02b6cbe3bc70c0a/daria_scagliola-8923.jpg" /&#62;
	stills from the video;
view of the installation;
view of the rietveld pavilion (photo: daria scagliola).
	
</description>
		
	</item>
		
		
	<item>
		<title>friction atlas</title>
				
		<link>https://paolopatelli.com/friction-atlas</link>

		<pubDate>Sat, 04 Aug 2018 09:34:10 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/friction-atlas</guid>

		<description>Friction AtlasPublic Installation /&#38;nbsp;Performative Intervention

with Giuditta VendrameBIO 50 24th Design Biennale Ljubjana
Adhocracy Athens

Performing Mobilities, Melbourne
TodaysArt, Den Haag

Ideas City, New Museum, New York

Onomatopee, EindhovenTAC, Eindhoven

2014—Ongoing




	
	
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/fe00e443f1a6e7078845579edc52ccf7211b19b37db6bda244f0716eadf5a6f0/01-photo-Maurice-Mikkers.jpg" data-mid="21683759" border="0"  src="https://freight.cargo.site/w/1000/i/fe00e443f1a6e7078845579edc52ccf7211b19b37db6bda244f0716eadf5a6f0/01-photo-Maurice-Mikkers.jpg" /&#62;
&#60;img width="2305" height="1535" width_o="2305" height_o="1535" data-src="https://freight.cargo.site/t/original/i/e51fcdd3195a262354fa7d51a66457b94ec9deaf7797bd40ea20c964edbeaaa9/02-photo-Maurice-Mikkers.jpg" data-mid="21683760" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e51fcdd3195a262354fa7d51a66457b94ec9deaf7797bd40ea20c964edbeaaa9/02-photo-Maurice-Mikkers.jpg" /&#62;
&#60;img width="1150" height="770" width_o="1150" height_o="770" data-src="https://freight.cargo.site/t/original/i/9bbc39a78a59d3b38ff8b1036082ba9640478dfce04a9f212e66cca6abbd78f1/03-photo-Maurice-Mikkers0-5x.jpg" data-mid="21683745" border="0"  src="https://freight.cargo.site/w/1000/i/9bbc39a78a59d3b38ff8b1036082ba9640478dfce04a9f212e66cca6abbd78f1/03-photo-Maurice-Mikkers0-5x.jpg" /&#62;





&#60;img width="4032" height="3024" width_o="4032" height_o="3024" src_o="//freight.cargo.site/t/original/i/6ccf4071f1fb646ceb944c9033406bcae9a3f4acfa5583f54e46c052df241305/28.jpg" data-mid="21452131" border="0" style="width: 856.584px; height: 642.438px; display: none;"&#62;
	





















always implicitly present in any public space, law tends to be algorithmic, quantitative and invisible. local and national regulations discretise human behaviour; sometimes they are rigorous and mathematical, other times loose and under-defined. here, they lend themselves to be represented visually, and through staged choreographies. friction atlas is an ongoing critical archive, where laws regulating behaviours and gatherings in public spaces, sampled from different contexts, are represented and collected.
addressing the issue of legibility of public space, it aims to make regulations explicit, through graphical devices. by drawing 1:1 diagrams, enacting laws on public surfaces, the project makes legal prescriptions and loopholes debatable. through the engagement of the public, the dynamics of authority become also physically discernible. the diagrams represent cases from different cities, including athens, genoa, cairo, washington, stockholm, sydney, new york, and rome. 
we invite the public to participate in a choreographed debate, in a rereading of urban space, which will highlight some of its hidden aspects.








&#60;img width="2500" height="1625" width_o="2500" height_o="1625" data-src="https://freight.cargo.site/t/original/i/a25924d0a0a865b0a11cc8d53eef8c14fa0da91143bb4fefca5ef9924c71f8ba/1_2500_c.jpg" data-mid="21683529" border="0"  src="https://freight.cargo.site/w/1000/i/a25924d0a0a865b0a11cc8d53eef8c14fa0da91143bb4fefca5ef9924c71f8ba/1_2500_c.jpg" /&#62;
&#60;img width="2500" height="1666" width_o="2500" height_o="1666" data-src="https://freight.cargo.site/t/original/i/2bca4d76d2c29699e603b3f91667d875f9f8a810020f460304e6c98e9e1c1a3d/4_2500_c.jpg" data-mid="21683530" border="0"  src="https://freight.cargo.site/w/1000/i/2bca4d76d2c29699e603b3f91667d875f9f8a810020f460304e6c98e9e1c1a3d/4_2500_c.jpg" /&#62;
&#60;img width="3072" height="1984" width_o="3072" height_o="1984" data-src="https://freight.cargo.site/t/original/i/efd6ad8c41f487fec844405fb82d33c7e4426fb895bcd2df30c88e4cee7ff14c/Figure-04.jpg" data-mid="21683568" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/efd6ad8c41f487fec844405fb82d33c7e4426fb895bcd2df30c88e4cee7ff14c/Figure-04.jpg" /&#62;
&#60;img width="2500" height="1666" width_o="2500" height_o="1666" data-src="https://freight.cargo.site/t/original/i/272eb4f50275da98bf41793a92ef79bab01d74f5586d3d8e4b718bbc60aec889/IMG_5641_2500_c.jpg" data-mid="21683532" border="0"  src="https://freight.cargo.site/w/1000/i/272eb4f50275da98bf41793a92ef79bab01d74f5586d3d8e4b718bbc60aec889/IMG_5641_2500_c.jpg" /&#62;
&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/6af2d0b9452e8e7defdc542cb6cd5875c27089155923eb6bbeada51d2beed973/Figure-05.jpg" data-mid="21683569" border="0"  src="https://freight.cargo.site/w/1000/i/6af2d0b9452e8e7defdc542cb6cd5875c27089155923eb6bbeada51d2beed973/Figure-05.jpg" /&#62;
&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/eaafbdc7e1276828704bcc2f7b17ec83e4eeeb9096ec21a106997c184845497f/Figure-06.jpg" data-mid="21683570" border="0"  src="https://freight.cargo.site/w/1000/i/eaafbdc7e1276828704bcc2f7b17ec83e4eeeb9096ec21a106997c184845497f/Figure-06.jpg" /&#62;


&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/a2cc0445882e66b8afdc8763f83aacf43e3a59eb4c12ed820f25a58b0a295029/23.png" data-mid="21683971" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a2cc0445882e66b8afdc8763f83aacf43e3a59eb4c12ed820f25a58b0a295029/23.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/5a172cffc649cb344b734b7a106ce4eaff68cd83c29eef164fc726baf0bcae46/22.png" data-mid="21683970" border="0"  src="https://freight.cargo.site/w/1000/i/5a172cffc649cb344b734b7a106ce4eaff68cd83c29eef164fc726baf0bcae46/22.png" /&#62;

	
	
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/381e5907da9f3b302f9f3a09a19e3ac29b51c1c81bc98b132e40fb1a513a6d95/IMG_5393.JPG" data-mid="38319684" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/381e5907da9f3b302f9f3a09a19e3ac29b51c1c81bc98b132e40fb1a513a6d95/IMG_5393.JPG" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7748f7059f71180cd6d6614e5fcbbc90513504451da56aa37b7e32134821789c/IMG_5394.JPG" data-mid="38319686" border="0"  src="https://freight.cargo.site/w/1000/i/7748f7059f71180cd6d6614e5fcbbc90513504451da56aa37b7e32134821789c/IMG_5394.JPG" /&#62;

	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/781146f08a227d72528e11044c0b91e12b11a57a4eec3e2dba294dcc458354d5/IMG_5359.JPG" data-mid="38319736" border="0"  src="https://freight.cargo.site/w/1000/i/781146f08a227d72528e11044c0b91e12b11a57a4eec3e2dba294dcc458354d5/IMG_5359.JPG" /&#62;
	
</description>
		
	</item>
		
		
	<item>
		<title>eendenkooien</title>
				
		<link>https://paolopatelli.com/eendenkooien</link>

		<pubDate>Mon, 14 Dec 2020 12:29:47 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/eendenkooien</guid>

		<description>Eendenkooien
Multi-channel video installation

Het Nieuwe Instituut2020—Ongoing
	&#60;img width="5616" height="2848" width_o="5616" height_o="2848" data-src="https://freight.cargo.site/t/original/i/12ed54839647da35a052f2ac8c6792c2cf5597bbc17e361daec88eb6c5e65105/RP-F-F12197.jpg" data-mid="92091229" border="0"  src="https://freight.cargo.site/w/1000/i/12ed54839647da35a052f2ac8c6792c2cf5597bbc17e361daec88eb6c5e65105/RP-F-F12197.jpg" /&#62;
	
&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/2f216bae83a9cb20895d6f9417d50a2b963eb9c2b54cabc6bf04b08c963a888c/Screenshot-2020-12-14-at-14.42.56.png" data-mid="92098277" border="0"  src="https://freight.cargo.site/w/1000/i/2f216bae83a9cb20895d6f9417d50a2b963eb9c2b54cabc6bf04b08c963a888c/Screenshot-2020-12-14-at-14.42.56.png" /&#62;
&#60;img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/7f764fcab75fae880bcea303dca791a18bfda828b6ffde2b35d525309db7248d/Screenshot-2020-12-14-at-14.43.35.png" data-mid="92219518" border="0"  src="https://freight.cargo.site/w/1000/i/7f764fcab75fae880bcea303dca791a18bfda828b6ffde2b35d525309db7248d/Screenshot-2020-12-14-at-14.43.35.png" /&#62;

&#60;img width="1080" height="1548" width_o="1080" height_o="1548" data-src="https://freight.cargo.site/t/original/i/3f723d9cc56d5060bc2e4037930263202ba4733d2ced608126a9edd1f77fc74f/Screenshot-2019-05-27-at-20.02.57.png" data-mid="92091513" border="0"  src="https://freight.cargo.site/w/1000/i/3f723d9cc56d5060bc2e4037930263202ba4733d2ced608126a9edd1f77fc74f/Screenshot-2019-05-27-at-20.02.57.png" /&#62;The project weaves together a suite of differential, multiple, visual ethnographies, and&#38;nbsp; sites in which life and death intertwine with multispecies formations, soil and landscape forms. Duck decoys are tightly orchestrated spaces consisting of a large pond ending in several funnel traps, surrounded by reed screens and trees; they are catching mechanisms deployed from the fifteenth century onwards to trap wild ducks through a multi-species process.&#38;nbsp;Across the Netherlands, they have become naturalised ruins, as mallard ducks have moved to urbanised areas. Material transformations, novel colonisations and changing migration patterns are engaged as signals that fold in pasts and futures into a present of haunted landscapes.
&#60;img width="1518" height="1584" width_o="1518" height_o="1584" data-src="https://freight.cargo.site/t/original/i/b7fc8c53afba3719d8a2e19d3bef98e02296cfdc804ccb9472ff850dff6103fb/Screenshot-2019-05-27-at-19.50.55.png" data-mid="92093064" border="0"  src="https://freight.cargo.site/w/1000/i/b7fc8c53afba3719d8a2e19d3bef98e02296cfdc804ccb9472ff850dff6103fb/Screenshot-2019-05-27-at-19.50.55.png" /&#62;


	


	
	
  
	
  
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Parasite Diner</title>
				
		<link>https://paolopatelli.com/Parasite-Diner</link>

		<pubDate>Sun, 09 Jan 2022 15:45:02 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/Parasite-Diner</guid>

		<description>Parasite Diner
Occasional dine-in shows and take-out snacks
with&#38;nbsp;Freja Kir, Aram Leefanfare
When Site Lost the Plot
M4 Gastatelier2021
	&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/4279222f47964532e1e430424522b56278e735a7189d5cc561d8b220292c1181/tumblr_8e6307c43ab8b696c765c04c04118f3c_1c733f30_1280.jpeg" data-mid="129530136" border="0"  src="https://freight.cargo.site/w/1000/i/4279222f47964532e1e430424522b56278e735a7189d5cc561d8b220292c1181/tumblr_8e6307c43ab8b696c765c04c04118f3c_1c733f30_1280.jpeg" /&#62;
	
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/5c7163837067cb92d755dad88fd7c96632590d0f69f1685a850578ad9b5c555f/tumblr_0fc1dcc93fb44c221c475131bf27a061_59ef0c5f_1280.jpeg" data-mid="129530141" border="0"  src="https://freight.cargo.site/w/1000/i/5c7163837067cb92d755dad88fd7c96632590d0f69f1685a850578ad9b5c555f/tumblr_0fc1dcc93fb44c221c475131bf27a061_59ef0c5f_1280.jpeg" /&#62;

&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/be3c8f64aec29a311b2f4d629b05814f3667b6fcaac7264a07932f03695d39e3/tumblr_56a5d1f6760611d6842096bd5c3c70c7_660e4d3b_1280.jpeg" data-mid="129530158" border="0"  src="https://freight.cargo.site/w/1000/i/be3c8f64aec29a311b2f4d629b05814f3667b6fcaac7264a07932f03695d39e3/tumblr_56a5d1f6760611d6842096bd5c3c70c7_660e4d3b_1280.jpeg" /&#62;Parasite Diner is a series of occasional dine-in duo shows, fermentation experiments, and take-out snacks, organised, curated and designed by Freja Kir, Aram Lee and Paolo Patelli. 
For its first-ever appearance, artists Ilke Gers and Diego Virgen Castro were been invited to perform in tandem. 
Nixtamalization is a process for the preparation of maize, common in Mexican pre-hispanic cuisine, in which the corn is soaked and cooked in an alkaline solution. It’s mixed with water and chalk, the same used in construction and to mark playing fields. The traces were displayed at When Site Lost the Plot (Amsterdam).

For its second appearance, artists Uta Eisenreich and Aslı Hatipoğlu have exchanged thoughts on exposure, transience and photochemistry as veiling and unveiling processes. On the vibrant surfaces of films and ferments, time imprints textures, representations of itself. It traces the effects of light and warmth, of the passage of chemical gradients, and symbiotic life forms. Some colours fade overnight, while others linger for longer. The show looks into the image as something wrinkly, tasty, smelly, and chewy. The traces were displayed at fanfare (Amsterdam).
Generously supported by AFK – Amsterdams Fonds voor de Kunst


	</description>
		
	</item>
		
		
	<item>
		<title>reset modernity!</title>
				
		<link>https://paolopatelli.com/reset-modernity</link>

		<pubDate>Tue, 31 Jul 2018 17:20:15 +0000</pubDate>

		<dc:creator>Paolo Patelli</dc:creator>

		<guid isPermaLink="true">https://paolopatelli.com/reset-modernity</guid>

		<description>Reset Modernity!

Exhibition Design
curated by Bruno Latour, Martin Guinard, Christophe Leclercq and Donato RicciZKM
Karlsruhe2016
	
&#60;img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/737b1a3b8a73ddb744efbde6b8bbfc3d0fb819f3663ee8fe2567cf1e7ed42fd9/Zilius_Reset-Modernity_S5A0168.jpg" data-mid="21452038" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/737b1a3b8a73ddb744efbde6b8bbfc3d0fb819f3663ee8fe2567cf1e7ed42fd9/Zilius_Reset-Modernity_S5A0168.jpg" /&#62;
&#60;img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/78b0a1440c9a4f876349f7695975594b7204e63b13315d98b064aa904ed6d753/Zilius_Reset-Modernity_S5A0116.jpg" data-mid="21452040" border="0"  src="https://freight.cargo.site/w/1000/i/78b0a1440c9a4f876349f7695975594b7204e63b13315d98b064aa904ed6d753/Zilius_Reset-Modernity_S5A0116.jpg" /&#62;
&#60;img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/9ff5618b2e478c93ee53885c84b941be742a29babf3997b6b331591c37987766/Zilius_Reset-Modernity_S5A0134.jpg" data-mid="21452041" border="0"  src="https://freight.cargo.site/w/1000/i/9ff5618b2e478c93ee53885c84b941be742a29babf3997b6b331591c37987766/Zilius_Reset-Modernity_S5A0134.jpg" /&#62;



	&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/707afc45026d281cf16f12b869957515199bcb7ab59b7a8c31a87949f1895704/nl2.png" data-mid="21452034" border="0"  src="https://freight.cargo.site/w/1000/i/707afc45026d281cf16f12b869957515199bcb7ab59b7a8c31a87949f1895704/nl2.png" /&#62;

	
		
		
	
	
		
			
				





	
	&#60;img width="8647" height="8274" width_o="8647" height_o="8274" data-src="https://freight.cargo.site/t/original/i/876270ff63efbca6384c872cc7da1e44381468417f62ada20e60309b5129346b/Zilius_Reset-Modernity_S5A0172.jpg" data-mid="21452039" border="0"  src="https://freight.cargo.site/w/1000/i/876270ff63efbca6384c872cc7da1e44381468417f62ada20e60309b5129346b/Zilius_Reset-Modernity_S5A0172.jpg" /&#62;
	modernity was a way to differentiate past and future, north and south, progress and regress, radical and conservative. however, at a time of deep ecological mutation, such a compass is running in wild circles without offering much bearing anymore. this is why it is time for a reset. let’s pause for a while, follow a procedure and search for different sensors that could allow us to recalibrate our detectors, our instruments, to feel anew where we are and where we might wish to go.
the layout of the exhibition itself offers a set of disorienting/reorienting procedures. no guarantee, of course: this is an experiment, a thought experiment, a gedankenausstellung.


&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/d78c954efa6166bfbfd37f3572e31fdff9a06f4bbf2f04ee803a5addc8b2eb65/reset-modernity-workshop_26164948804_o.jpg" data-mid="21452035" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d78c954efa6166bfbfd37f3572e31fdff9a06f4bbf2f04ee803a5addc8b2eb65/reset-modernity-workshop_26164948804_o.jpg" /&#62;
&#60;img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/086bebf76a115deb613053b902c05075299da1f8cc186a471fe081d54856fea0/reset-modernity-workshop_26164949194_o.jpg" data-mid="21452036" border="0"  src="https://freight.cargo.site/w/1000/i/086bebf76a115deb613053b902c05075299da1f8cc186a471fe081d54856fea0/reset-modernity-workshop_26164949194_o.jpg" /&#62;
&#60;img width="5960" height="3979" width_o="5960" height_o="3979" data-src="https://freight.cargo.site/t/original/i/77233415bae7c6317a3c5b2102b8f2287aa8aa9310d9dc3f1d6d43ada947cea7/reset-modernity-workshop_26703314581_o.jpg" data-mid="21452037" border="0"  src="https://freight.cargo.site/w/1000/i/77233415bae7c6317a3c5b2102b8f2287aa8aa9310d9dc3f1d6d43ada947cea7/reset-modernity-workshop_26703314581_o.jpg" /&#62;


	
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