30 January 2025
Copenhagen

Strange Adaptations
CAFx Copenhagen Architecture Forum

Talk

8 January—5 March 2025
Toronto

The Art Gallery Problem
Blackwood Gallery
University of Toronto

Exhibition
with Giuditta Vendrame

21 November
Lüneburg

Institute of Culture and Aesthetics of Digital Media
Leuphana University

Screening & Talk

Past:

Saaret

IN POSTPRODUCTION

Saaret navigates the city of Helsinki as an environmental archipelago composed of heat and energy islands, insulated atmospheres, and artificial climates, leaking both from the past and future. Through stories that connect different areas of the city, a hybrid narrator voice emerges as an ecological subjectivity produced by and through sensing, at once abstract and embodied into different physical forms and temporal perspectives. Each narrative moment provides a glimpse into the complex layers of time and space, offering perspectives that transcend traditional boundaries between nature, technology, and the urban environment.

The essay film alludes to the now-extinct genre of the city symphony, while the Super8 film format creates a dreamlike temporal ambivalence reminiscent of travel films and nature documentaries. The image frames appear as fragile envelopes themselves.

The work ultimately creates a sensory, cinematic reflection on the interactions between human life, urban infrastructure, and the natural world.

A short film directed by Paolo Patelli

Written by Jussi Parikka, Paolo Patelli, May Ee Wong
Scored by Angelo Maria Farro
Produced by Critical Environmental Data

Text Adaptation, Camera and Editing: Paolo Patelli
with Editorial Consultancy by Lua Vollaard, Rizki Lizardi
Sound: Angelo Maria Farro
Voices: Anu Aaltonen, Samantha Houston, Lua Vollaard

With support from:
Helsinki Biennial, Aarhus University (DAFED), Statens Kunstfond

Denmark, Finland / 2024

Menyunting Arsip / Editing the Archive. Resequencing the Tillema Collection

GUDSKUL / documenta fifteen
Research Center for Material Culture
Nieuwe Instituut

Hendrik Freerk Tillema (1870–1952) was a Dutch pharmacist, entrepreneur, self-taught ethnographer and photographer, lobbyist and advocate for hygienic standards in the colonies, who lived in the Dutch Indies for twenty years of his life up until WWI. The photographs and films that Tillema produced or collected during his time in colonial Indonesia are located in the archives of the Museum voor Volkenkunde, the Tropenmuseum and the Eye filmmuseum. Historians and anthropologists have often regarded Tillema’s work and legacy as unavoidable primary sources, often detached from the context of his life, his main business and ideology. With the six waves of cholera bacterium outbreaks in the background, in Semarang, he built the first purified and bottled water factory in the Dutch East Indies. This enterprise directly supported his expeditions, observations and publications. Tillema wrote numerous publications on hygiene and urbanism in the colony. His ideas fit the broader modern scientific and medical discourse on hygiene, which engendered spatial and racial segregation through fear for contamination, through environmental and bodily pollution.

The Forest Underneath

Van Eyck Academie
arc en rêve centre d'architecture
IMPAKT Festival
MCBA Musée Cantonal des Beaux‑Arts Lausanne
Architektur FilmTage Zürich
TRANSFER Architecture Video Award (Finalist)

Staged as a 2-channel video installation, or screened as a single-channel documentary, The Forest Underneath combines materials shot on location in and around the Hambach Forest into an observational film. The last remnant of an ecosystem that has occupied the Rhine plain since the end of the last ice age – and a site where corporate exploitation, environmental activism, and environmental degradation coexist –  the forest borders the largest open-pit coal mine in Europe, and ghost towns doomed to be torn down. Planned to be cleared to mine by the energy company RWE, the forest has been a political standpoint for environmentalists since 2012, when a diverse group of activists took permanent residence within it, in self-built ‘barrios’ and treehouses, behind barricades, to protect it from planned destruction. The meandering camera captures their environents, surroundings and moments of their everyday.

The Forest Underneath was originally produced as a contribution to a visual investigation of the landscape of the Meuse–Rhine Euroregion, curated by Bas Princen at the Jan van Eyck Academie.

They Thought They Saw a Ghost

Documentary: 4K Color Stereo 51’ 
with Giuditta Vendrame and Giulio Squillacciotti

Delving into the invisibility of labor under automation, They Thought They Saw A Ghost offers an entry point to the everyday world of seafarers, the carriers of 90% of the world’s goods. The film stages a series of abstractions: the function of the working body, the empty stage of automated environments, the touristic gaze on the spectacle of mechanization, the comfort of religious beliefs and the faith in the emancipatory horizon of technological innovation. It presents voices from multiple perspectives, catching a glimpse of the social infrastructure that provides seafarers – whose presence is still necessary – support and care. Unfolding as a visual essay, the film is a chaptered immersive observation of time transformed by automated technologies.
The film is the cinematographic extension of Shore Leaves, a visual research originally commissioned for the Dutch Pavilion at the 16th International Architecture Exhibition La Biennale di Venezia in 2018.